Davido Shows Fans How To Respect A Woman.

Mr. Benjamins

December 24, 2019

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

April 27, 2026

Listen, I’ve seen a lot of things in this industry, but every now and then, a track comes across my dashboard that doesn’t just ask for attention—it demands it…
The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

April 27, 2026

Modern music, much like a poorly drafted project plan, usually tries to sell you on the finished skyscraper—all glass, chrome, and zero soul. But every once in a while,…
The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

April 27, 2026

Listen, if you’ve ever found yourself in the dark at 2:00 AM, the blue light of your phone etching permanent wrinkles into your soul while you scroll through videos…
The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

April 27, 2026

Listen, as someone who spends their daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth: the…
The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

April 27, 2026

Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…
The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

April 27, 2026

Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…

The DMW Boss, David (birth name; David Adedeji Adeleke) on Sunday 22nd December awed his fans while performing on stage with Meghan Pete professionally known as Meghan Thee Stallion, an American rapper, singer, actress, and songwriter.

The duo were performing on stage during
the second edition of the Flytime Music Festival, 2019 at the Eko Convention Centre on Sunday December 22nd when the event took place..

The fans hailed him for refusing to rock Megan Thee Stallion while she gave him her behind for free.

Davido who is engaged to Chioma but has two kids from other women, this single act on stage has made fans go gaga for him on Twitter.

What do you think??

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

Latest posts

May 2, 2026

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Mr. Benjamins

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)
April 26, 2026

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Mr. Benjamins

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need
April 26, 2026

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Mr. Benjamins

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs
April 26, 2026

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Mr. Benjamins

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected
April 26, 2026

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Mr. Benjamins

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

This Is Hip Hop HQ Magazine

Davido Shows Fans How To Respect A Woman.

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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Mr. Benjamins

Latest posts

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

Davido Shows Fans How To Respect A Woman.

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