Listen, I’ve seen a lot of things in this industry, but every now and then, a track comes across my dashboard that doesn’t just ask for attention—it demands it…
Modern music, much like a poorly drafted project plan, usually tries to sell you on the finished skyscraper—all glass, chrome, and zero soul. But every once in a while,…
Listen, if you’ve ever found yourself in the dark at 2:00 AM, the blue light of your phone etching permanent wrinkles into your soul while you scroll through videos…
Listen, as someone who spends their daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth: the…
Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…
Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…
Xzibit released his third studio album Restless December 12, 2000.
Undoubtedly Xzibit's most successful album of his career. It debuted at #14 on the Billboard 200 with approximately 205,000 copies sold in its 1st week released.
The album then fell 17 spots to #31 in the 2nd week, but then rose back up 19 spots to peak at #12 the following week.
Also since being released the album was certified Platinum by the RIAA with an excess of a million copies sold in America.
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Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.
