Q-Nel – Gbortsu In The Mirror

Mr. Benjamins

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Q-nel from village to town Volta jam town, Juapong has dropped another classic tune titled (Gbortsu In The Mirror) facebook Q-nel GH whose full name is Q-nel Nelson Quarmey was born in Kumasi in the Ashanti Region but hails from a town called Kpoviadzi in the volta region.

He grew up in Juapong Volta Jam town. He has recently featured Denroy Morgan the Papa of the Morgan Heritage family with couple of artistes across the globe and He is here with another banger tittled (Gbortsu In The Mirror) folk’s download, listen and share.

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

Latest posts

May 2, 2026

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Mr. Benjamins

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)
April 26, 2026

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Mr. Benjamins

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need
April 26, 2026

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Mr. Benjamins

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs
April 26, 2026

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Mr. Benjamins

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected
April 26, 2026

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Mr. Benjamins

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

This Is Hip Hop HQ Magazine

Q-Nel – Gbortsu In The Mirror

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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Mr. Benjamins

Latest posts

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

Q-Nel – Gbortsu In The Mirror

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