By Mr. Benjamins Editor-in-Chief, This Is Hip Hop HQ
Listen, I’ve seen a lot of things in this industry. I’ve seen rappers who couldn’t find the pocket of a beat if they were wearing cargo pants, and I’ve seen “rockstars” who have about as much edge as a butter knife. But every once in a while, something hits your desk that doesn’t just demand your attention—it grabs you by the collar, headbutts you, and then explains the secrets of the universe while you’re still trying to find your teeth.
Enter DESU TAEM. The Michigan-based father-son duo, Shan and Nick Greene, have been operating like a two-man demolition crew in the underground scene for years. Their latest sonic manifesto, “Cosmologically Connected,” taken from the Full Immersion – Savage Retro Rock album, is more than just a song; it’s a philosophical emergency.
The Science of the Slam: We Are All “The All”
If you ever felt like you were just a cog in the machine, DESU TAEM is here to remind you that you are actually a swirling vortex of cosmic debris. The track is built on a foundation of what they call “Savage Retro Rock,” a genre that sounds like Led Zeppelin and Black Sabbath got into a bar fight with a 2026 AI and everyone won.
But it’s the lyrical depth that really separates the men from the boys here. As Shan Greene puts it, we are in a constant state of flux. Every time you breathe, eat, or even sweat, you are fundamentally changing. You are a different person than you were ten seconds ago. It’s Heraclitus for the mosh pit: “No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” Except in DESU TAEM’s world, the river is made of distorted guitars and the man is probably wearing combat boots.
“We are ALL beautiful Now, own that, and slam until you leave parts of yourself on everything, everywhere.” — DESU TAEM
The “Undisputed Artistic Excellence” Factor
When I first heard the track on Groover, I had to double-check my speakers. The way the vocals ride the rhythm is legally classified as undisputed artistic excellence. It’s got that rare “controlled power”—like a professional hitman who happens to be a Zen master.
The track moves with a vigor and cadence that feels intentional, almost like a contract signed with the beat itself. There are no delays, no cost overruns, just pure, unadulterated energy. It’s danceable without being desperate, and smooth enough to keep you grounded while your mind is being blasted into the astral plane.
A Discography That Punches Back
Let’s look at the track record—and I mean that literally. These guys are more prolific than a rabbit in a carrot patch. From “Hulk on Heroin” to “Why not just get a cat?”, their titles alone are a masterclass in cynicism and modern-day absurdity.
- “The Deceiver”: A haunting look at spiritual bankruptcy.
- “Black Hearted Clown”: A reflection on the masks we wear.
- “Taking My Groceries Home on a Pogo Stick”: Because life is a circus, so you might as well bring the snacks.
With over 10 albums and a relentless release schedule, DESU TAEM isn’t just making music; they’re building an ecosystem. They are the sonic architects of the “new weird,” constructing intricate journeys that explode into cathartic crescendos.
The Verdict: Get Addicted or Get Out of the Way
In an era where most “new” music feels like it was generated by a depressed toaster, DESU TAEM is a reminder of what happens when you combine real-life madness with high-level musicianship. They are Astrologically Divine, yet gritty enough to belong in a basement show in Detroit.
If you haven’t visited DESUTAEM.com yet, you’re missing your mission orders. You are cosmologically connected to this sound, whether you like it or not. So, own your beauty, embrace the chaos, and for the love of all that is holy, Slam.
