TODAY IN HIP HOP HISTORY

Mr. Benjamins

December 11, 2020

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

April 27, 2026

Listen, I’ve seen a lot of things in this industry, but every now and then, a track comes across my dashboard that doesn’t just ask for attention—it demands it…
The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

April 27, 2026

Modern music, much like a poorly drafted project plan, usually tries to sell you on the finished skyscraper—all glass, chrome, and zero soul. But every once in a while,…
The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

April 27, 2026

Listen, if you’ve ever found yourself in the dark at 2:00 AM, the blue light of your phone etching permanent wrinkles into your soul while you scroll through videos…
The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

April 27, 2026

Listen, as someone who spends their daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth: the…
The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

April 27, 2026

Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…
The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

April 27, 2026

Listen, as a man who spends his daylight hours obsessing over the structural integrity of steel beams and the cold precision of quantity surveying, I’ve learned one immutable truth:…

The American hip hop duo Mobb Deep released their fifth studio album Infamy December 11, 2001.

It was released after Jay-Z dissed Prodigy and Nas on his song "Takeover," from Jay-Z's 2001 album, The Blueprint, which caused Prodigy to strike back on the Track "Crawlin".

Infamy has been certified Gold by the RIAA, selling over 800,000 copies in the United States of America. It has been successful critically as well as commercially, getting good scores from The Source and HipHopDX, as well as Allmusic and Rolling Stone magazine.

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

Latest posts

May 2, 2026

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Mr. Benjamins

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)
April 26, 2026

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Mr. Benjamins

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need
April 26, 2026

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Mr. Benjamins

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs
April 26, 2026

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Mr. Benjamins

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected
April 26, 2026

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Mr. Benjamins

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

This Is Hip Hop HQ Magazine

TODAY IN HIP HOP HISTORY

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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Mr. Benjamins

Latest posts

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

TODAY IN HIP HOP HISTORY

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