Lord Jamar Claims Victory Over Eminem In Hip Hop Guest Debate.

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YouTube/Rapmatic

Over the years, Lord Jamar has been Em’s critic. Par for the course, the MC has weighed in on Em’s recent comments on Hip Hop culture.

In a recent interview with KXNG Crooked, Em was asked if he believes he’s a “guest in the house of Hip Hop.” Without hesitation, Shady conceded — but without referencing Lord Jamar’s name.

“The funny shit is, with the whole beef a certain person [Lord Jamar], I never said I wasn’t a guest,” he said. “I’m absolutely a guest. I never said I wasn’t.”

RESPECT‼️ @Eminem tells @CrookedIntriago he’s ‘absolutely’ a guest in the house of Hip Hophttps://t.co/nEthNniav5 pic.twitter.com/okEVaMMaft

— HipHopDX (@HipHopDX) February 21, 2020

On Friday being February 21, the same day the interview premiered — Jamar took his thoughts to Twitter and essentially claimed victory in the debate.

“I guess his EGO wouldn’t allow him to say ‘Lord Jamar was right the whole time, & I was buggin for coming at him the way I did…my bad…I am a guest in the house of Hip Hop.’

“But at least the EGO was quelled enough to admit what I’d been saying all along.” He added in a follow up Tweet.

I guess his EGO wouldn’t allow him to say “Lord Jamar was right the whole time, & I was buggin for coming at him the way I did…my bad…I am a guest in the house of Hip Hop.”

— Lord Jamar (@lordjamar) February 22, 2020

But at least the EGO was quelled enough to admit what I’d been saying all along.

— Lord Jamar (@lordjamar) February 22, 2020

This shit is case closed, now all together repeat after me…WHITE PEOPLE ARE GUESTS IN THE HOUSE OF HIP HOP THAT BLACK PEOPLE BUILT! Thank you and good night. (Drops mic and leaves podium)

— Lord Jamar (@lordjamar) February 22, 2020

Incase you missed the interview with KXNG Crooked, read it here

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

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This Is Hip Hop HQ Magazine

Lord Jamar Claims Victory Over Eminem In Hip Hop Guest Debate.

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

Lord Jamar Claims Victory Over Eminem In Hip Hop Guest Debate.

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