DaBaby shares his “Beatbox (Freestyle)”

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DaBaby has officially shared his take on SpotEmGottem’s viral April 2020 single “Beat Box.” The track rose to popularity for

“Beat Box 2” a colaborative remix with Pooh Shiesty.” DaBaby’s version was first teased with a one-minute snippet posted on his Instagram earlier this week before he unleashed the official music video for it as well on the 19th of February for fans to enjoy. On the track, DaBaby delivers his signature flow over the viral beat:

Back in November, DaBaby‘ shared his project My Brother’s Keeper (Long Live G), where the North Carolina artist opens up about his feelings after losing his 34-year old brother Glenn Johnson. Prior to that, he revealed his third studio LP BLAME IT ON BABY, which included 13 new tracks and collaborations alongside Quavo, Future, Roddy Ricch, YoungBoy Never Broke Again, A Boogie Wit Da Hoodie, Megan Thee Stallion, and more. DaBaby dropped KIRK and also his breakthrough project Baby On Baby both in 2019. In May, he and Roddy Ricch celebrated as their single “Rockstar” became officially certified gold by the Recording Industry Association of America (RIAA).

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

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This Is Hip Hop HQ Magazine

DaBaby shares his “Beatbox (Freestyle)”

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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Mr. Benjamins

Latest posts

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

DaBaby shares his “Beatbox (Freestyle)”

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