“See Di Opiah Man” – PJ Far-West Selecta Summons the Mystical, Musical Magic of Reggae Roots

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From dusty analog reels to modern-day riddims, PJ Far-West Selecta proves that roots reggae still carries ancient wisdom and new-school flavor. His latest single, “See Di Opiah Man”, is a sonic séance—a deep skank into the spiritual essence of Caribbean folklore. This ain’t just music—it’s Obeah science wrapped in a dub echo.

🔊 Back to the Roots: The Man Behind the Magic

PJ Far-West Selecta isn’t just spinning vinyl or pressing play. He’s a homegrown home-producer, a reggae-dub-ska enthusiast with more than 40 years of musical mileage under his belt. From the vibrant stage scenes of the ’80s and ’90s to a digital rebirth during the pandemic, PJ has kept the analog fire burning like a chalice full of sonic incense.

His mission? To resurrect the raw, analog magic of classic Jamaican dub—crackles, pops, and all. No polished, plastic productions here. “I want it to sound old,” PJ says. “Old like a Kingston basement session in 1976, where the walls sweat bass and the spirits skank to the snares.”

And with “See Di Opiah Man,” that’s exactly what you get.


🇯🇲🇦🇷 A Global Vibe with Local Heartbeats

This track is a triple-continent collaboration:

  • 🇯🇲 Sledge, a soulful Jamaican vocalist, delivers vocals with that classic reggae authenticity—gravelly, golden, and full of lore.

  • 🇦🇷 Dubmian, an Argentinean drummer with a serious ear for dub, brings the bounce and precision of a heartbeat from Studio One’s lost tapes.

  • 🇳🇬 Marc Eze, Nigerian filmmaker, wraps it all up with a visually rich, tongue-in-cheek video full of humor, culture, and surreal spiritual undertones.

It’s a dance between rootical rhythm and riddim, between past lives and party nights. The Opiah Man, as told here, is no mere myth—he’s a shaman, a healer, a neighborhood legend who moonlights as a wizard and counselor. And he’ll probably fix your amplifier too.

 

🎥 Check the Vibes (Seriously, Check the Video)

The music video, directed by Marc Eze, deserves a spotlight of its own. It’s funny, funky, and full of folklore—a sort of Nollywood-meets-Rasta dreamscape. There’s a real sense of play here, even as the visuals nod to the heavy symbolism of the Opiah archetype. The video’s warmth makes the myth feel real. It’s not a lecture—it’s a celebration.

👉 Watch the video now on YouTube


🔍 Review by Mister Benjamins – 10/10 Skank-Worthy

Let’s talk facts: this track is an experience. As a music reviewer, I don’t toss out 10s like candy at a carnival—but this one earns it. Here’s why:

  • Atmosphere: It’s simultaneously reflective and danceable. You could meditate to this, or you could wind your waistline in a smoky club.

  • Storytelling: The myth of the Opiah Man is layered beautifully into the lyrics and production. There’s depth here—spirituality without preachiness.

  • Production: Analog heads, rejoice. It’s warm, textured, and rich like a rare vinyl B-side.

  • Flow: The transitions feel like water—fluid, smooth, and perfectly measured.

“You’ve really captured something special here,” I told PJ. And I meant it.


🎧 Turn It Up. Tune In. Skank On.

“See Di Opiah Man” is more than just a track—it’s a rootical rite of passage. For the new-school dub warriors and old heads alike, it’s a reminder that reggae is alive, evolving, and forever mystical.

So crank that volume, lace up your dancing shoes, and let the Opiah Man guide you to higher vibrations.


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🖤 Stay rooted. Stay real. This is Mister Benjamins for ThisIsHipHopHQ—where sound meets soul.


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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade CouncilNIMWorld Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

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