“HE GOOD”. Fat Trel Gives Update On Ross.

Mr. Benjamins

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Mayback Music Group artist Fat Trel has provided an update on label boss Rick Ross, who was reportedly admitted to a Miami-area hospital on Thursday (March 2).
“JUS TALKED 2 MY BIG HOMIE… HE GOOD… HE IN DA HOSPITAL BUT HE IS NOT ON “LIFE SUPPORT” … HE GOOD,” Trel posted on Instagram, tagging Ross and hashtagging #MMG.
This is the first official word on Ross since reports emerged that he’d been rushed to the hospital after a possible heart attack and unnamed sources told TMZ he’d been put on “a form of life support.”

Many members of the Hip Hop community had sent prayers out for Ross after the news broke.

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Mr. Benjamins

Egbodo Benjamin – Founder & CEO of This Is Hip Hop HQ Egbodo Benjamin is the visionary founder and CEO of This Is Hip Hop HQ Magazine, a premier platform dedicated to amplifying voices in the hip-hop industry. His commitment to authentic music journalism and artist promotion has positioned This Is Hip Hop HQ as a trusted space for rising talents and industry discussions. In 2024, Benjamin was recognized as a Founder of the Year (Under 30) Nominee by FOYA.Africa, a testament to his impact and entrepreneurial excellence in the digital media and entertainment space. Beyond music and media, he is also a Quantity Surveyor, bringing precision, strategy, and analytical thinking to every project he undertakes. His diverse expertise bridges the gap between structured business growth and creative storytelling, making him a dynamic force in both industries. Under his leadership, This Is Hip Hop HQ continues to grow as a global hub for hip-hop culture, artist reviews, and industry insights.

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Mr. Benjamins

Egbodo Benjamin, aka Mr. Benjamins, is a music curator, Project Manager, and Quantity Surveyor with a deep passion for hip-hop culture and creative innovation. He’s the Founder and CEO of ThisIsHipHopHQ and Metis Vanguard, platforms shaping the future of music and entertainment. A global thinker, he’s a proud member of the International Trade Council, NIM, World Economic Forum, and Amnesty International. From curating sound to leading strategy, Mr. Benjamins merges business with culture, creating impact both on and off the mic.

Latest posts

May 2, 2026

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Mr. Benjamins

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)
April 26, 2026

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Mr. Benjamins

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need
April 26, 2026

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Mr. Benjamins

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs
April 26, 2026

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Mr. Benjamins

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected
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The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

This Is Hip Hop HQ Magazine

“HE GOOD”. Fat Trel Gives Update On Ross.

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

The Architecture of Absence: Why Westwell’s “View From The Beach” is the Definitive Anthem for the Emotionally Distant

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Mr. Benjamins

Latest posts

The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

The Emotional Architecture of Nostalgia: Why Mr. Animalistic’s “Take Me Back” Is the Underground Anthem for the Disconnected

The Faustian Ledger: Why Nordstahl’s “The Merchant’s Last Coin” is the Dark Folk Wake-Up Call for the Modern Hustle

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The Audacity of Raw Energy: Why DESU TAEM’s “Derivative Inquisitive” is a Punch to the Gut (In a Good Way)

The Alchemy of Resilience: Why Eylsia’s “Desert Learns to Shine” Is the Sonic Restoration We All Need

The Chronos of Connection: Why Urban Future Five’s “11:65” is the Digital Detox the World Desperately Needs

“HE GOOD”. Fat Trel Gives Update On Ross.

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